The sermon for Nov. 06, 2003 is: come around; or, fit the first (wherein our hero slips a casket)
1:04 a.m.
This is a poem I wrote a little while ago, called indie / lo-fi.
for E.
DIY to the last, you didn't undo yourself like grunge, with a shotgun blast through your scream
and heroin: nor with your mouth crammed shut with pity and poems teasing, confessional:
no. Simplicity was your rule. A single thrust of all your will, Concentrate on your heart, that gyring fool, Then all that wonder was still.
Not that I admire you. But oh, that plaintive motion that muted the urgent whisper singing
Overshadows Everything. Was it despair? Was it motherfucking Goodwill? Where
In Portland or Either/Or Did you discover your end? Was it p.636 of Diary of a Seducer when Kierkegaard writes,"Better to be dead
Then endlessly undergo The tedium of blow upon blow, Knowing you shall never know The sweet boredom of overthrow"?
So clean, that heart attack. How often did you hold it back, And what calamity unloosed your hold? And where are you now? Where did you go?
Stupid fucking poem. I had wanted to write so many other things; like the funny bit when Amanda picked me up from the hospital (she was listening to the soundtrack of some teen movie called Not Another Teen Movie or something, a bunch of 1980s songs done by bands who hadn't been born then; she assaulted my febrile nerve endings with Linkin Park and blink-182 and such-like caterwauling "99 luftballon" and the like, and asked me to identify Nena, and Berlin, and ohmygodthe SMITHS-- she had never heard of MORISSEY. I am officially old.) and the funny bit about the fire (I was in a fire), and the funny bit about my niece's asthma attack, and the other funny bit about my health coverage and lack thereof, and more funny bits about my physical condition (for example, an ex-girlfriend of mine finds the fact of all my hair having fallen out muy hilarioso, hee!). But. Anyway.
Anyway. So. A few hours ago I heard Yong's voice. I had called him because. He said, "Never call here again." Then he hung up. It confuses me. All I had said was, "Yong!" This was the boy who had fallen in love with me long ago, and fed me ecstasy in a too-successful effort to love him back--- my introduction to drugs, by the way. This was the boy who had told me he was closer than my brother, and he was. This was the boy whom Stephanie will marry, Stephanie whom I love as well, I don't understand. My mind is going. I don't understand why people. I can't comprehend why people would murder one another. I I I I
This is a poem I wrote a little while ago, called analyses terminable and interminable.
how I long for the heart's reprieve, a final formulation of my lonelyness and grief, a magical phrase that would bring some
surcease
or for some compromise that would restore you
to me. Come back to me. I can't imagine being dead, and I can't withstand being alive, alive and apart
from you. Perhaps love is the full disease, the measure, the necessary fatality of the long and silent choking, life without
you; measure mortality from your last casually breathed, "I love you," until now; that distance
hard as silence, more infinite than number, is wound like wire round that fist of congealed grease, the pit
of my motherfucking ravening heart.
fuckfuckfucjkfucjkfuckfuckfuckfuck
the Funny Show
agriculture poem
my life in the ghost of Bush
time-lapsed (part 1)
unreconciled
Images are taken without permission from the fine and trusting folks at Folk Arts of Poland; please purchase something from them. Background music stolen without permission from Epitonic, Basta Music, and just about everywhere else my unscrupulous hands could grab something. No rights reserved.